Alesis Air FX Sound and Effects Controller

Remixers and DJs will go nuts over this utterly unique instrument that looks and acts like UFO original equipment. There are no strings. No pedals. No keys. Just move your hand (or other body parts) through the invisible infrared sphere to twist and shape sounds into awesome trip-hop fodder. It's loaded with 50 flipped-out effects and sounds such as panning, flanging, vinylizing, skratching, pitch-shifting, and vocoding for hands-off sound shaping.

TC Electronic G-Force Artist Card

The TC Electronic G-Force Artist Card comes with an outrageous 245 custom artist presets designed by guitarists such as Paul Jackson Jr., Steve Vai, Bob Bradshaw, Trey Gunn, and Eric Johnson. This PCMCIA format card loads into your G-Force and can be accessed from the front panel to deliver even more killer sounds.

Pioneer EFX-500 DJ Effector

A new performance effects unit designed for DJs. It features top panel operation with a special design "jog dial . Various controls let you perform Isolator and Beat effects, and the jog dial selects and controls such effects as Jet, Zip, Wah, Ring, Modulation and more. For Beat Effects, an Auto BPM counter measures the tempo automatically. BPM-linked effects include Delay, Echo, Auto Pan, Auto Flanger and Auto Transformer, while an Auto Effect button links them to BPM automatically. A Tap button lets you set time easily, and a Mix Ratio controls lets you set depth and strength of effects. A Effect Frequency control applies the effects to low, mid, or high frequencies only. The jog dial features include Hold, Jog Break Meter that displays visually the motion of the dial, Jog Dial Memory that memorizes and reproduces a motion, a Depth control, and a Momentary Play & Play Lock lever switch for optimal performance control. Has MIDI in/out for controlling the clock of MIDI instruments. Equipped with 1/4" jacks and RCA PIN terminals.

Korg KP2 Kaoss Pad Digital Effect/Controller

The Korg KP2 Kaoss Pad Digital Effect/Controller takes off where its predecessor the KP1 left off. Using finger movements, you control dozens of effects and their parameters. Just glide across the pad top to bottom, side to side, or tap on it to create changes in your mix with levels of complexity that are impossible with other gear. The KP2 is packed with essential effects such as filters, delays, reverb, and flanging along with killer DJ effects including isolator, slicer, and auto panning. Effects are selected with a knob and eight of them can be assigned to buttons. A Hold switch freezes effects in their current position so they're easily captured or rhythmically layered by drumming on the pad. You also get 15 super synth and vocoder sounds plus 20BPM effects that can be auto synced, tapped in, manually set, or run via MIDI. Eight new BPM patterns are triggered from the touch pad for perfectly synced rhythm and bass synth patterns. The KP2 samples up to 12 seconds at 44.1kHz; records and transforms pad movements; and includes phono, line, and MIDI connectors. Includes power adapter.

Korg KPE-1 KAOSS Pad Entrancer

Allows manipulation of visual images in realtime with intuitive fingertip control. The older KAOSS Pad allowed easy touch control of sound: the newest KAOSS Pad entrancer gives you similar control over video effects and transitions. The entrancer lets you control images in realtime interactively. It accesses a new world of image and sound by allowing you to easily manipulate video at any type of performance even those up to now incompatible with existing multimedia gear.By moving your finger over the X/Y pad or by tapping it, you can control different parameters simultaneously. A wide range of effects can now be controlled quickly and intuitively. The KAOS Pad Entrancer can be used to add elements of realtime control over the video equipment system you are already using, or use it to add effects to a DVD or other image sources. It also includes all the audio effects that made the KAOSS Pad KP2 such a big hit. 100 different video effect programs and combinations that dramatically modify the images. From basic effects such as nega-posi, fade, mono color, wipe, color change, freeze, flip left/right, flip up/down, rotate, and expand/shrink, to more sophisticated effects such as noise, stretch, split-screen, invert image components, sand storm, monochrome, delay, strobe, mirroring, and emboss and mind-blowing effects like spinning while shrinking! Effect programs can be selected easily at the turn of a knob,...

Rane MM 42 Personal Monitor Processor

Connect it between your mixing console and your monitor system (wired or wireless), and the MM 42 will process one stereo or 2 mono mixes with shelf/cut filters, 3-band compressor, 5-band parametric EQ, and 3-band peak limiter. You can output to a powered sub without an external crossover thanks to an assignable sub output with adjustable bandpass filter. Monitor multiple mixes easily with the MM 42's headphone amp (1/4" and 1/8" jacks) and Cue Bus functionality.Process one stereo mix or 2 independent mono mixes using the MM 42's flexible input to output routing. Any combination of the MM 42's 4 line- level inputs is assignable to any output processing chain. The relative mix of inputs is easily adjusted using front-panel level controls, making "more me" mixes a breeze.Create a separate low-frequency mix for driving onstage subwoofers or tactile "thumpers" using the sub output with adjustable bandpass filter. Any input or combination of inputs is assignable to the sub output. External crossover not required!Connect multiple MM 42s together using the cue bus and avoid the hassle of having to constantly re-patch headphones when monitoring more than one mix. Any mix can be placed on the cue bus and monitored (soloed) simply by pressing the desired mix's cue bus button. Connect the dedicated cue outputs on the rear panel to a spare transmitter or hardwired beltpack and hear the mix exactly as the performer...

TC Electronic M-4000 Stereo Reverb Unit

Reverb 4000 is also the first stereo Reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Utilizing the latest hardware technology and software based upon 30 man-years of development, Reverb 4000 offers the most immense and innovative selection of State-of-the-Art stereo Reverbs at the touch of a button. Designed as a single rack space module with an extremely easy to use instant access interface, and with the option of using the ICON software editor for PC (Mac OSX version available spring 2004) in DAW environments, the Reverb 4000 is the ultimate choice for live- and studio applications working in stereo.In the Studio Reverb 4000 complements any large scale mixing console, and provides the professional studio with the ultimate Main Reverb featuring an amazing palette of simulated rooms from natural sounding credible spaces to emulations of vintage reverbs and TC Classics. On top of offering front-edge pristine reverb technology, it features impressive headroom, level handling and analog as well as digital interfacing capabilities.Reverb 4000 integrates perfectly with DAWs and features 24 bit AD/DA converters as well as 44.1 to 96kHz Sample Rates, hence offering processing power not obtainable inside any workstation available today. Connectable via USB the included ICON software editor provides easy access and complete overview for detailed...

Boss VT-1 Voice Transformer

The Boss VT-1 Voice Transformer gives you total control over your voice - timbre, tone, pitch . . . everything. Independent control over pitch and formant makes this possible. Essential to voice processing, the VT-1 offers high-quality digital stereo reverb. Apart from being the ultimate DJ effects unit, the VT-1 will benefit virtually any application where signal manipulation is needed. The user-friendly tabletop design features 4 sliders and a Robot button for precise realtime adjustments. Sliders: The Pitch slider raises or lowers the fundamental note pitch. Formant slider adjusts pitch of formant components, creating an effect virtually the same as changing vocal cords and the shape of the vocal tract. Mix Balance slider allows mixing dry and effected voices. Reverb slider adds stereo reverb equivalent to high-quality dedicated units.Buttons: The Robot mode changes your voice into a robot's (like the classic sci-fi movies) making the pitch of the input voice uniform and flat, thus creating a mechanical-sounding voice. Combine this with Pitch and Formant slider adjustments for astonishing vocoder effects. Memory: Along with 4 preset patches, there's an additional 4 user patches. You can convert the presets into user patches. Then simply call up a patch to instantly change voices. Perfect for any applications featuring voice. Extremely useful for DJs, the VT-1 lets you configure user patches with...