Focusrite MH439 OctoPre S/PDIF Cable Assembly

9-pin D-sub to RCA cable. For OctoPre, ISA430 MKII Producer Pack, and ISA428 PrePack

M-Audio Audio Buddy

The Audio Buddy from M-Audio is an ultra-quiet 2-channel preamp that offers the features and performance you need to track great-sounding music in your computer. Each channel offers individually adjustable gain, a balanced XLR with phantom power or a 1/4" instrument level input, and independent 1/4" outputs (unbalanced or balanced TRS). The direct box functionality of the M-Audio Audio Buddy allows high impedance signals from sources such as guitars or basses for recording with optimal results.

Focusrite MH436 OctoPre Dual-Port ADAT A/D Card

24-bit/96kHz ADAT interface card provides digital outputs for all 8 OctoPre channels, which operate over the full sample frequency range (44.1, 48, 88.2, and 96kHz) and can be dithered to 16-, 20-, or 24-bit depths depending upon the destination. External word clock synchronization is possible using the rear- panel BNC connector. The card features 2 ADAT-type lightpipe output connectors. For speeds up to 48kHz, both connectors transmit all 8 channels simultaneously.

Focusrite MH438 OctoPre AES-EBU Cable Assembly

9-pin D-sub to XLR cable. For OctoPre, ISA430 MKII Producer Pack, and ISA428 PrePack.

Universal Audio UAD-1 Ultra Pak

The UAD-1 Ultra PAK includes one of Univeral Audio's heralded UAD-1 DSP cards with 24 world-class processing plug-ins. Designed to meet the most demanding DAW professional needs, the Ultra PAK includes all the classic UA vintage emulations that use a unique proprietary circuit modeling technique to capture every subtle nuance of analog studio equipment. It comes with plug-in models of the 1176LN, LA-2A, Pultec EQP-1A, and Fairchild 670. The UAD-1 also offers innovative, original plug-ins like the Cambridge EQ, Nigel Guitar Processor, Channel Strip, RealVerb, DreamVerb, and the prized Plate 140. Ultra PAK also gives you the Precision Limiter and Precision Equalizer from the Precision Mastering Series, rigorously engineered and studio-tested plug-ins that reach a sonic class shared with the very best studio hardware.24 premium plug-ins: 1176LN 1176SE Cambridge EQ CS-1 (3 modules) DreamVerb Fairchild 670 LA-2A Nigel (8 modules) Plate 140 Precision EQ Precision Limiter Pultec EQP-1A Pultec Pro RealVerb Pro

Focusrite MH441 ISA428 Pre Pack 4-Channel Mic Preamp

The Focusrite MH441 ISA428 Pre Pack 4-Channel Mic Preamp is the perfect multichannel front end for any professional DAW or home studio. It features 4 classic Rupert Neve-designed transformer-based preamps with switchable impedance and direct instrument inputs. An optional 8-channel 192kHz ADC, preceded by the new proprietary Soft Limiter circuit, provides the perfect path into your Pro Tools HD system.This Preamp's topology benefits include superb common-mode rejection, an excellent overload margin, and with its shared gain structure (20dB from the hand-wound transformer and up to 40dB from the amplifier), an extremely low noise floor and super-wide bandwidth (10Hz to 200kHz). The MH441 design is the cornerstone of Focusrite's signature "warm-yet- transparent" sound and is a point of reference for any discerning audio professional.In addition, the ISA428's input stage provides enhanced control and creativity, allowing you to switch among 4 carefully selected input impedance settings. The original ISA 110 setting is supplemented by 3 further impedance settings so you can perfectly match the preamp with any microphone and maximize level or use different settings creatively to shape the sound of the microphone being used. Should you need extra processing between preamp and conversion, insert points are featured on every channel.The Soft Limiter opto circuit protects the ADC and is a new design from Focusrite....

Grace Design Model 801TC 10dB Output Trim Control

The 801TC option provides model 801 users with 10dB of continuously variable trim in addition to the standard rotary gain switch. This is provided as a concentric pot that's integrated with the gain switch on any given model 801 channel.

Focusrite Red 7 Mic Preamp with Dynamics

The Red 7 Mic Preamp employs a superb mic preamp with a dual-range mic gain pot for precise control. Phantom power and phase reverse are also provided. Line input is electronically balanced with continuously variable gain. An output fader offers +6dB to infinite attenuation. A full dynamics section, optimized for vocals includes a versatile compressor characterized by low noise and distortion, and transparent natural sound even when heavy compression is applied. A swept high-pass filter allows treatment for rumble, bass lift, and proximity effect. A de-esser/exciter stage can be switched to provide frequency selective de-essing or excitation.

Focusrite Red 8 Dual Mic Preamp

With 2 mic preamps in a single unit, the Red 8 offers stellar performance in a compact, stylish package. Ultrahigh-quality Focusrite preamps feature custom- wound input transformers. Custom made potentiometers and sealed relays enhance performance and reliability. General features include switchable phantom power, phase reverse, an easily read illuminated VU meter, and a handy scribble disc for denoting channels. Produces an incredibly transparent yet warm signal. Mic gain is switched in 6dB steps over a 66dB range, for accurate precise channel matching and recall.

Grace Design Lunatec V3 2 Channel Mic Preamp (6V)

This 6V version of the Lunatec V3 is based on the industry standard Lunatec V2. Designed to deliver accurate, musical preamplification with high-definition A/D conversion in a bombproof, portable, DC-powered package. Sound designers, remote engineers, classical engineers, concert tapers, or anyone with a portable recording system will be stunned by the depth, clarity, and realism the Lunatec V3 delivers.Grace Design's ultralow distortion, 24-bit A/D converter is included as standard. Flexible outputs include S/PDIF (RCA) and 2 sets of AES3 (XLR). Sample rates of 44.1, 48, 88.2, 96, 176.4, and 192kHz are supported. Both single- and dual-wire 176.4 and 192kHz AES/EBU modes are provided via a pair of XLR connectors. Also includes an analog noise-shaping dither circuit (ANSR).

Joemeek twinQ Dual Channel EQ/Compressor/Mic Preamp

The Joemeek twinQ Dual Channel EQ/Compressor/Mic Preamp takes microphones or instruments, amplifies them, compresses them, and equalizes them so they're ready to be recorded. Simple to use yet extremely powerful, the twinQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. You'll find it useful for recording as well as for live work.

ART TCS Twin Tube Compressor

The ART TCS Twin Tube Compressor provides 2 channels of both optical and VCA compression. Optical gives you a smooth, transparent effect while VCA is good for hard limiting. Both modes can be stacked for serious over-the-top compression. The V3 (Variable Valve Voicing) knob takes the hassle out of compression with a variety of settings.

PreSonus TubePre & MXL 3000 Large-Diaphragm Condenser Microphone

Includes a PreSonus TUBEPre Microphone Preamp and an MXL 3000 Large-Diaphragm Condenser Microphone for one low price.PreSonus TUBEPre Microphone Preamp Lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TUBEPre flexibility. Great as a studio direct box.MXL 3000 large-diaphragm condenser microphone The MXL 3000 is a large-diaphragm, gold- sputtered condenser microphone featuring an FET preamplifier with premium components within the signal path. It has a transformer-coupled output that is very reminiscent of the circuit designs found in early British recording consoles. When used for recording vocals the microphone has amazing clarity and warmth. It is a stunningly detailed microphone that is also appropriate for instrument miking, especially of string and wind instruments. It comes in a rugged aluminum flight case and includes microphone mount.

Focusrite ISA428 ADC 192kHz A-D Option

Adding the Focusrite ISA428 ADC provides 8 channels of the highest quality conversion at frequency rates of up to 192kHz. (Running at 96kHz provides 16 simultaneous digital outputs alongside the 4 main analog outputs.) Digital output formats include 8 channel single/dual wire AES/EBU, 8 channel S/PDIF, and single/dual port 8-channel ADAT lightpipe, all available on a single ADC card. 2 ISA428s can be used with a single ADC, using the 4 extra line input channels on the rear of the unit containing the optional ADC. This allows expansion from a 4-preamp system to an 8-preamp system

ART Tube MP Studio V3 Mic Preamp

The ART Tube MP StudioV3 Mic Preamp features ART's V3 (Variable Valve Voicing) technology that provides optimized reference points to begin recording. The V3 presets were created by some of the industry's top studio and live-sound engineers, along with ART's veteran engineering department. It allows you to select among a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals, and more. It also features an Output Protection Limiter (OPL) to control and maintain the output peak signal; crucial when recording to hard disk or using a sound card. Also can serve as an exceptional direct box for impedance matching or simply improving the sound of any instrument plugged into it.

ART Pro Channel Tube Mic Preamp

The ART Pro Channel Tube Mic Preamp is a great-sounding and highly affordable professional recording channel. A Variable Mu circuit fast, fat, and a bit aggressive has been added to the compressor module or you can switch to ART's award-winning optical/tube compressor. Its 4-band parametric equalizer has selectable Q for the 2 sweepable midbands. Other features include XLR balanced and 1/4" unbalanced connections plus 1/4" unbalanced inserts, a variable low-cut filter (-3dB @ 10Hz-250Hz), and phantom power.

Focusrite ISA430 MKII Producer Pack

The ISA 430 MKII brings together all the classic Focusrite designs in one comprehensive production tool. Augmented with additional features and flavors, alongside unmatched internal routing and connectivity, the ISA 430 MKII enables today's recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor.

Joemeek OneQ Mono EQ/Compressor/Mic Pre

The oneQ is the most full-featured, technologically advanced studio channel Joemeek has ever made! The Joemeek oneQ is a single channel combining Mic Pre (with Burr-Brown IC), four band EQ, the most flexible of any Joemeek ever, our "signature" optical compressor, De-Esser, and Enhancer, it's a master channel like no other. Housed in a 2u chassis, the elegantly sculpted faceplate is intelligently laid out, with clear, easy to read legends and a large analog VU meter. The oneQ also features 24bit, 96K A/D converters with word clock input and output.

PreSonus TubePre & MXL990 Condenser Microphone

Includes a PreSonus TUBEPre Microphone Preamp and an MXL 990 Condenser Microphone for one low price.PreSonus TUBEPre Microphone Preamp Lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TUBEPre flexibility. Great as a studio direct box.MXL 990 Condenser Microphone Has a silky, sweet high-end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording. Attractive vintage body style with champagne finish. 30Hz-20kHz frequency response. 130dB maximum SPL. Includes custom shockmount, mic stand adapter, and case.

Bellari MP105 Tube Mic Preamp

With 75dB of gain, it produces sounds varying from warm, smooth vocals to raunchy overdriven mic effects. XLR balanced and 1/4" unbalanced inputs and outputs are provided. 48V phantom power.

Joemeek ThreeQ Studio Channel

The Joemeek ThreeQ Studio Channel takes a microphone or instrument and amplifies, compresses, and equalizes it, making it ready to be recorded. Simple to use yet extremely powerful, the ThreeQ will bring out the best in any mic or instrument and give the gloss of a professional studio production to all your performances. It will be useful for live work as well as for recording.

Toft Audio Designs ATC-2 Dual Channel Mic Pre/EQ/FET Compressor

High-quality mic preamp with selectable 48-volt phantom power, direct instrument input and selectable line input. It features classic V.U. metering, extremely musical 4-band EQ, 50Hz low pass filter, compression, and more.

ART Tube MP Project Series USB Audio Interface

With the ART Tube MP Project Series USB Preamp and Audio Interface you get professional results from a single-channel mic, instrument, and line level preamp with limiter. It can serve as a simple front-end for your computer DAW or standalone recorder.ART updated every aspect of the Tube MP design inside and out while maintaining the compact form, reliability, and cost-effectiveness while adding a USB output. It comes in an all-aluminum, stackable chassis with an external power supply to keep AC line noise and hum back at the wall. The front end features an ultra low-noise, discrete microphone preamp with an extremely flat and wide frequency response to give you a very clean and neutral sound with a wide variety of signal levels. The high-impedance instrument input is optimized for guitar pickups, and both the XLR and 1/4" input levels are monitored via a precision LED level meter. A high-quality 12AX7A tube inside adds warmth and musical dynamics.The input Gain knob and +20dB Gain switch maximize the dynamic range of the input and help control how hard you drive the tube. 48V phantom power and switchable input impedance help you get the most out of studio-grade microphones like ribbon and professional condenser mics. Phantom power is current limited to prevent damage to sensitive microphones. The selectable high-pass filter fights low-frequency rumble and wind noise with a Bessel filter design set at a...

Toft Audio Designs AFC-2 Dual Channel Mic Pre/EQ

The AFC dual-channel equalizer and mic preamp is a very high-quality, compact unit ideal for recording studios, mastering, and sound reinforcement. It gives you 2 independent channels each with switchable mic/line input, selectable +48 volt phantom power, and instrument input.

Toft Audio Designs EC-1 Mono Channel Mic Pre/EQ/FET Compressor

High-quality mic preamp with selectable 48V phantom power, phase reverse, front panel instrument input and selectable line input. Has musical 4-band sweep EQ, classic FET compressor, and VU metering for gain reduction and output level. 1/4" sculptured aluminum front panel. IU rackspace.

Focusrite Red 1 Quad Mic Preamp

With 4 mic preamps in a single unit, the Red 1 provides stellar performance in a compact, stylish package. It's ideal for use with digital systems, and for on- location multi-mic recording. Ultrahigh quality Focusrite preamps feature custom-wound input transformers. Custom-made potentiometers and sealed relays enhance performance and reliability. General features include switchable phantom power, phase reverse, an easily read illuminated VU meter, and a handy scribble disc for denoting channels. Mic gain is switched in 6dB steps over a 66dB range, for accurate precise channel matching and recall.

Bellari RP503 Tube Mic Pre Channel Strip

Great-sounding preamp section with phase reversal and +48 phantom power. A gain potentiometer allows you to add just the right amount of drive for the tubes and a clip LED indicates overload. The compressor section sports Threshold and Ratio controls for dialing-in perfect dynamics. A handy gain-reduction meter indicates the amount of signal compression and the circuitry may be completely bypassed. The EQ portion features low- and high-shelving filters for the lowest and highest frequencies, while a sweepable mid section allows for precise tailoring. Both XLR and 1/4" inputs and outputs provided.

Grace Design Lunatec V3 2 Channel Mic Preamp (12V)