Mackie HMX 56 6-Channel Headphone Matrix Mixer

Whether you're recording a band in your garage, or mixing in a concert hall, the HMX-56 6-Channel Headphone Matrix Mixer is a solid cure for the headphone/monitor mix blues. This convenient tabletop matrix mixer lets each performer dial their own customized mix and then send that perfect mix to a pair of headphones, a floor wedge or an IEM (in ear monitor) system. And in addition to delivering monitor mixes for up to six performers the HMX-56 delivers the goods at output levels far beyond your run-of-the-mill headphone amps.Power and Clarity Competing amplifiers simply can't provide the clarity and output power that the Mackie HMX-56 can. Designed under the direct supervision of Greg Mackie, its six low-noise, high-fidelity/high power headphone amplifiers deliver crystal-clear audio at output levels seldom achieved by other wimpy headphone amps. So you can use the HMX-56 at full-on rock band rehearsals. And, in fine Mackie tradition, this unit is built like a tank for years of touring and abuse.Versatility The HMX-56 is a cinch to use and easily connects to your current system. Simply: <##HC bull ##>Connect the main output from the main mixer to the main input on the HMX-56. <##HC bull ##>Connect up to four additional sources from either the main mixer, even the preamp-out from a guitar/bass amp, to the source inputs on the HMX-56. (All of these inputs accept either balanced or unbalanced line level...

Koss VC20 Inline Headphone Volume Control

The Koss VC20 Inline Headphone Volume Control provides convenient level adjustment for stereophones. Includes pocket/belt clip for comfortable cord postitioning and connects to a standard 1/8" jack.

Behringer Powerplay PRO-8 HA-8000 Headphone Amp

The Behringer Powerplay PRO-8 HA-8000 Headphone Amp is a professional, high-power multipurpose 8-channel headphone distribution amplifier. It features 8 totally independent stereo high-power amplifier sections in one rackspace, 2 separate main inputs, 2 headphone outputs per channel and even a dedicated direct input for each channel. It offers the highest sonic quality with virtually all types of headphones, even at maximum volume.

Behringer HA4700 POWERPLAY PRO Headphone Amp

The Behringer HA4700 Powerplay Pro Headphone Amp is the perfect addition to your studio setup. This professional headphone amp has 4 quiet, powerful channels that can drive loads down to 8 ohms and offer improved sound performance, comprehensive signal routing, and mixing functions. Each section offers mono/stereo operation, balancing, left/right mute, LED output meter, high and low EQ, balance and volume controls in one rack space. Servo-balanced, gold- plated XLR and 1/4" TRS I/O include 3 headphone outputs per channel, 2 XLR and 2 - 1/4" TRS inputs, and 2 XLR and 2 - 1/4" TRS outputs.

PreSonus HP4 Discrete 4-Channel Headphone Amp

The PreSonus HP4 Discrete 4-Channel Headphone Amp features 4 headphone outputs on the front panel, each with its own volume, and 150mW of amplification per channel extremely loud output with a low -98dB noise floor. It also allows control over control room monitors with a separate volume knob that can be muted using the Monitor Mute button. 1/3 rackspace. Accepts balanced/unbalanced inputs and outputs (1/4" TRS). Input can either be set to stereo or mono (the mono selector button on the front channel simply copies both inputs to both sides). Powered by an external wall-mounted supply.The HP4 represents a tremendous value as echoed by this email received by PreSonus:"To my amazement, your HP4 sounded as good as both of my hi-fi stereo heaphone amps. Very very clean and loud. I can't believe you put 150 mw per channel, @52 ohms, to four headphone outputs and offer such a quality unit for very little over $100." (M. Burke via email)

PreSonus HP4 Headphone Amp/2 Fostex T40RP Headphones Package

Package includes the PreSonus HP4 discrete 4-channel headphone amp and two pairs of Fostex T-40RP headphones. PreSonus HP4 Discrete 4-Channel Headphone Amp Features 4 headphone outputs on the front panel, each with its own volume, and 150mW of amplification per channel extremely loud output with a low -98dB noise floor. It also allows control over control room monitors with a separate volume knob that can be muted using the Monitor Mute button. 1/3 rackspace. Accepts balanced/unbalanced inputs and outputs (1/4" TRS). Input can either be set to stereo or mono (the mono selector button on the front channel simply copies both inputs to both sides). Powered by an external wall-mounted supply. Fostex T-40RP Headphones First choice for stage and studio use worldwide. Regulated Phase transducer technology delivers pristine audio reproduction with a frequency response of 20Hz-25kHz. 93dB/mW sensitivity. 50 ohm impedance. 200mW maximum input level.

Behringer MINIAMP AMP800 4-Channel Stereo Headphone Amplifier

The Behringer MINIAMP AMP800 stereo headphone amplifier boasts 4 totally independent stereo high-power amplifier sections. You can use the phones level control plus the accurate 6-digit LED output meter per channel for easy level monitoring. There are 2 balanced stereo main inputs with independent Level and Balance controls for individual mixes, selectable for all 4 headphone amplifiers. An accurate 6-digit LED main input meter is provided for precise level indication of both line inputs. Dual headphone outputs on each channel on front and rear panel allow for connecting a total of 8 headphones at the same time. A parallel Link Output enables cascading several headphone amplifiers. Long-term reliability is guaranteed with the high-quality potentiometers and illuminated switches, and ultra low-noise audio operational amplifiers offer outstanding sound performance. In addition, all Mini Series Behringer audio processors can be stacked on top of each other to create an ultra-compact signal processing solution.

Behringer MINIMON MON800 Stereo Monitor Matrix Mixer

Ultra-Compact Stereo Monitor Matrix Mixer with Talkback Mic Get this ultra-compact monitor matrix mixer and you ll be glad you did. It features a dedicated input section with 4 selectable and mixable stereo inputs plus accurate 6-digit LED main stereo output meters for precise level indication. You ll get a high-power phones output with dedicated Level control plus 3 selectable stereo speaker outputs with separate Level controls for ultimate monitoring. Professional Mute, Dim and Mono functions are included for ultimate flexibility and phase check. We ve even given the MON800 a Talkback section with internal microphone and comprehensive routing options. Long-term reliability is assured with the high-quality potentiometers and illuminated switches. Ultra low-noise audio operational amplifiers offer outstanding sound performance. In addition, all MINI Series models can be stacked on top of each other to create an ultra-compact signal processing solution.With the MON800, running out of outputs is a thing of the past!

PreSonus Central Station

The PreSonus Central Station is a comprehensive monitor switching center. The main audio path of the Central Station is completely passive, offering the most transparent sonic quality. This mastering-level signal path has no amplifier stages, including op amps, active ICs, or chips eliminating coloration, noise, and distortion. To minimize noise and maximize signal integrity, this PreSonus unit is equipped with 34 sealed relays that use a minimal signal path design so that the audio does not pass through extraneous electronics. 3 pairs stereo inputs (2 pair TRS and 1 pair RCA) and outputs (2 digital and 3 analog). Accompanying 3 sets of monitor outputs, each with its own set of trim pots, are 3 sets of analog stereo analog inputs to accommodate DAW/Mixer, Tape/CD, or Keyboard/Sampler. 2 of these inputs feature balanced TRS jacks and the third has RCA inputs with trim control for matching signals at different levels. The Central Station also accommodates 2 digital inputs via S/PDIF or TOSLINK, providing D/A conversion up to 24Bit/192kHz, enabling the user to send a digital signal directly to the monitoring center to bypass lesser D/A converters from the DAW, a CD, or DAT player.Dual fast-acting 30-segment digital LED meters provide high-resolution metering of input level as well as calibration to external equipment. The Central Station also offers a talkback omni directional condenser microphone that is...

ART HeadTap Headphone Amp

Sometimes floor monitors are a problem. There isn't enough room for them onstage or someone sits in and can't hear the monitors, or the drummer can't hear them well enough. Or perhaps it's a pickup gig or a rehearsal and you didn't have enough time to set them up. In any case, sometimes it's preferable to just to put on headphones and somehow connect them to the PA. That's where a headphone tap comes in. This is a passive device with an input to connect the PA or monitor amplifier and an output to connect the headphones. A volume control regulates the headphone output and internal resistors keep the unit's impedance high enough to protect the phones. It also protects the amplifier from encountering too low a load impedance while powering tap units, the speaker system, or several tap units by themselves. The HeadTAP will also work with a stereo headphone amplifier for use in recording situations when you want to add headphones for additional performers.

Behringer Micromon MA400 Headphone Amplifier

The Micromon MA400 is an ultracompact headphone amplifier for both studio and stage applications. Features Mic In and Mic Through XLR connectors with an integrated Ground Lift switch, high-power headphone outputs with 1/4" and 1/8" jacks, Mic and Monitor Level adjustments, and Mono/Stereo switch.

Furman HR-2 Headphone Remote Station

A passive device intended for use with the Furman HA-6A headphone/monitor amp to increase the number of headphone stations beyond the 6 provided and/or to locate them more conveniently. The HR-2 may also be used with any stereo power amplifier of 50W per channel or less to convert it to use as a headphone distribution amplifier. The Furman SP-20A half-rack 20W-per-channel amp has the required adapter built in. Includes 3-year warranty.The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and so on. If low impedance headphones are used, up to 12 HR-2s may be chained together. If medium or high impedance headphones are used, 25 or more Remote Stations may be chained.

Nady HPA-4 Headphone Amp

With extensive switching functions, extreme efficiency, and unparalleled sound quality, the ultra-versatile Nady HPA-4 is a universal 4-channel multipurpose headphone amplifier and line distribution system that's perfect for the most demanding professional stage and studio applications.The HPA-4 rackmount amplifier features 4 independent stereo high-power channels in a rugged 1U package - an ingenious, easy-to-operate unit allowing a maximum variety of both useful monitoring and stereo line level signal distribution options. It features a no-compromise circuit design, stringently selected tight-tolerance components, and low-noise, extremely linear op amps for reference-quality audio with maximum headroom even at extremely high headphone volumes.Input source select switches plus 1/4" TRS stereo outputs on each channel and 4 independent stereo input sections (each with servo-balanced stereo 1/4" TRS jacks) enable independent selection of any of the 4 stereo signals for each headphone amp/line distribution channel. This capability allows selecting from up to 4 completely independent monitor signals for each set of headphones connected to the Nady HPA-4 for optimum monitoring flexibility or 4 separate choices for each channel's line output for enabling many useful, simple audio switching/routing solutions. Up to 4 HPA-4s can be daisy-chained for even more options.

Furman HDS-16 Headphone Audio Distribution Amp

Equally effective for both live in-ear and speaker monitoring as well as the studio, the system cleanly routes 8 mono and 4 stereo signals to remote mixing locations via Centronics 50 pin cables. Up to 8 HRM-16s can be connected directly or daisy chained to a single HDS-16, allowing as many as 16 users to customize 8 different mixes. A unique talkback system allows communications among users and the main mixing location. 25' cable is included with each unit. Provides ultralow distortion, low crosstalk, and high dynamic range. All inputs are balanced. Line outputs are balanced or single ended. 3-year warranty.

ART MyMONITOR Personal Monitor Amp

Hear yourself while sending only the mic signal to the main mixer. Just connect MyMONITOR between the mic and line source and the mixer. Can be AC or battery powered. Dynamic or condenser mics can be used since phantom power comes through the Mic Thru jack from the mixer or other source. Dual headphone jacks.

ART HeadAMP Stereo Headphone Amp

The ART HeadAMP Stereo Headphone Amp provides amplification and individual volume control for up to 4 headsets. It can be driven by either line-level or headphone amp signals (mono or stereo). The ART HeadAMP includes a 12V adapter.

Symetrix 304 Headphone Amplifier

This stereo input, four output amplifier drives headphones of any impedance. Used in broadcast, installed sound, and recording applications. High voltage technology provides 6dB volume increase over most competing units. Compact half rack chassis permits eight channels in one rack space.

Nady HAM-4 4 Channel Headphone Amp

The HAM-4 headphones amplifier will let multiple members in a session hear each other or previously recorded tracks at the same time. Built to provide years of valuable service, it is loaded with useful features.

Furman HDS-6 Headphone Distribution Amp

The Furman HDS-6 Headphone Distribution Amp is perfect for studio, rehearsals and use as a powered monitor system on stage. The rackmount HDS-6 connects to the console and provides the interface and amplification to drive a chain of up to 7 HR-6 headphone mixers (available separately). HDS-6 to HR-6 linking is provided by inexpensive Ethernet computer cables (1 set is included). The HDS-6 also provides Ground lift, on-off switches, power-on LED, Overload LEDs for each channel, and a Link Cables Reversed indicator. 3-year warranty.

PreSonus CSR-1 Central Station Remote Control

The PreSonus CSR-1 Central Station Remote Control can be connected to the rear of the PreSonus Central Station Studio Control Center via a db15 connector to control volume, talkback, mute, input source switching and speaker output switching functions. Keep the Central Station in your rack with your gear and use the CSR-1 for ultimate control and flexibility.

SMPro Audio HP6 6 Channel Headphone Amplifier

The HP6 is a 6 channel headphone amplifier that can monitor up to 4 independent stereo sources with the flick of a switch. Featuring 6 high powered stereo headphone amplifiers each with independent volume control, the HP6 satisfies all your headphone monitoring needs. In addition, each amplifier can select its source from up to four stereo input signals connected at the rear of the unit.

ART HeadAMP - 4-Output Stereo Headphone Amp

Most home recordings involve from one to four people, any or all of whom are going to need headphone monitoring. The monitor amp would be connected to the tape deck's headphone output or a mixer output so that the performers can hear themselves and each other. Of course the same application can apply to band rehearsals and even home entertainment. HeadAMP provides amplification and individual volume control for up to 4 headsets. It can be driven by either line-level or headphone amplifier signals (mono or stereo).

Furman HRM-16 Personal Headphone Mixing Station

Combined with the Furman HDS-16, the sound mixer provides an individual 16-channel mix (8 mono + 4 stereo ) to 2 sets of headphones giving every artist in the studio or onstage his/her own monitor mix without adjustments from the main board. Can be attached to a mic stand and allows headphone or powered audio monitor mixes to be created on the fly. It also incorporates a talkback system, allowing the user to communicate with other users and the main mixing console. Features a local effects send/return, line out, overall bass/treble controls, talkback level, and master level control. Each music mixer is supplied with a 25' Centronics 50-pin cable that eliminates the need for an expensive snake. Comes with a 3-year warranty.

Furman HDS-16/HRM-16 Kit

Every artist in the studio or on stage can have a separate monitor mix without adjustments from the main board. The HDS-16 distribution amp connects to the main board and routes the signals to the HRM-16 remote mixing station via a single multi-pair cable. It provides ultralow distortion (less than .001%) and high dynamic range drive for the HRM-16. A single HDS-16 can power up to 6 of these mixing boxes and can be daisy chained. The second half of the system, the HRM-16 mixing station, attaches to a mic stand and allows headphone or powered monitor mixes to be created on the fly. It also incorporates a talkback system, allowing the user to communicate with other users and the main mixing location. It also features a local effects send/return, line out, overall bass/treble controls, talkback level, and master level control. Each mixer is supplied with a 25' Centronics 50-pin cable that eliminates the need for an expensive snake. Comes with a 3-year warranty.

Furman HR-6 Personal Headphone Mixer

The Furman HR-6 Personal Headphone Mixer makes any multiple-user audio application convenient. Attached to an HDS-6, each HR-6 (available separately) allows musicians to customize their headphone or monitor mixes and levels. Accepts up to 7 units. Each unit provides 5 volume controls: 4 monaural for mixer channels or busses, plus one for stereo mix or effects. A Submix Include/Exclude button mutes the 4 monaural controls allowing each HR-6 user to hear stereo source only without having to alter the other settings. The unit clamps to any mic stand (hardware included). One linking cable is provided with each HR-6 mixer.

Grace Design m902 Reference Headphone Amplifier

Professionals and audiophiles alike will be floored by the high-performance 24-bit/192kHz DAC, which includes a unique s-Lock dual-stage PLL (Phase Lock Loop) for extremely low intrinsic jitter and rock-solid digital performance. A full set of analog and digital inputs are available, all of which are selectable via a front panel rotary switch. At the core of the m902 is meticulously designed, high-current transimpedance amplifier circuitry which effortlessly drives even the lowest impedance headphones. Familiar recorded material becomes at once transparent and alive, and critical details in editing and mastering become obvious and easy to manipulate.

SMPro Audio HP4v 4 Channel Headphone Amplifier

The HP4v is a compact 4 channel headphone amplifier. Featuring 4 high powered stereo headphone amplifiers each with independent volume control, the HP4v satisfies all your headphone monitoring needs. In addition, each amplifier can select its source from up to two stereo input signals connected at the rear of the unit.

Rolls HA43 Stereo Headphone Amp

The rugged 4" Rolls HA43 Stereo Headphone Amp powers up to 4 pairs of stereo headphones. Features 1/4" jacks in and out; volume controls for all 4 channels; 10Hz-30kHz response for clear, accurate sound; vinyl-laminated steel chassis. Includes AC adapter.

Rolls PM50S Personal Monitor Amp

The Rolls PM50S Personal Monitor Amp is a unique device for monitoring one's self and program material at the same time. It has a monitor level control and a mic level control, mic pass through XLR jacks, 2 headphone-output jacks, and a 1/4" monitor-input jack. The PM50S amplifier is great for drummers who need to hear a click track, singers who need to hear themselves, and your other live sound needs. Includes adapter.

Rolls PM50s Personal Monitor Amp

The PM50 mixes a stereo line-level monitor signal with a mic level XLR microphone signal to a set of headphones. Has monitor level control, mic level control, mic pass through XLR jacks, 2 headphone output jacks, and a stereo TRS 1/4" monitor input jack. Great for drummers who need to hear a click track or backup singers who need to hear themselves.