The ST55 FET condenser mic employs a large capsule with an ultra-thin 3-micron evaporated gold Mylar diaphragm is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings, while the FET Class-A electronics provides smooth, warm sound.Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advancements is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST55 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all- important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin...

Sterling Audio ST44 Small Diaphragm Tube Condenser Mic

The ST44 small-diaphragm tube condenser mic incorporates a hand-built capsule with a thin, 6-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST44's low-noise GT6205M tube in a Class-A triode circuit provides warmth and detail, adding new dimension to vocal and especially instrument recording.

Sterling Audio ST33 Small Diaphragm Class-A FET Condenser Mic

The ST33 small-diaphragm condenser mic incorporates a hand-built capsule with a thin, 6-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST33's FET Class-A electronics provide a level of warmth typically found in much more expensive microphones.

Sterling Audio ST31 Small Diaphragm FET Condenser Mic

The ST31 FET small-diaphragm condenser microphone features a mid-size (3/4") capsule that's perfect for miking acoustic instruments, amplifiers, drum overheads, and more. Its thin, 6-micron evaporated gold Mylar diaphragm is optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars. Warm FET circuitry gives it low noise and high-quality sonics.

AKG C 451 B Condenser Microphone

A classic studio mic, the C 451 EB + CK1 was a bestseller discontinued in '93. This mic provides identical acoustical behavior to the CK1, with dramatically improved specs. It features a precise, nearly frequency-independent cardioid pattern, a transformerless output stage, selectable 10dB and 20dB preattenuation pads, and switchable high-pass filter. Operates on phantom power. Includes stand adapter and windscreen. 3-year warranty.

AKG C 535 EB Stage Microphone

The C535EB has the clean, open characteristics of AKG's best studio condensers, enhanced by a 2dB boost between 7 and 12kHz to project vocals to the front of the mix. An integral 4-position switch tailors output level and bass roll off for a variety of uses and situations. A sharp LF cut at the full output level reduces pops and handling noise for stage vocal use, and a more gradual roll off at reduced output is ideal for many instrument applications. Cardioid polar pattern. Frequency range: 20Hz to 20kHz. Requires 9 to 52V phantom power.

Roland DR-80C Studio Condenser Microphone

This studio condenser has the low-noise and high-input capability needed for use in the studio. Its extended response range allows you to capture the full sound, while a low-cut switch and pad offer flexibility and ease of use with difficult sources. Includes shockmount holder.

AKG C 1000 S Condenser Microphone

The AKG C 1000 S Condenser Mic is an excellent vocal mic. It works well even from a distance, making it ideal for recording choirs and other live music ensembles. Outstanding performance when used for instruments and ideal for home recording applications. A special converter (PPC 1000) turns the microphone characteristics from cardioid to hypercardioid if it is mounted on the mic top. The new PB 1000 Presence Boost adapter provides an additional 5dB high-frequency peak in the cardioid mode, adding brilliance in the 5 to 9kHz range. Operates on either phantom power or standard 9V battery, and an LED has been added for low-battery warning. The C 1000 S can also be used for a variety of studio applications.

AKG C 3000 B Condenser Microphone

The AKG C 3000 B Condenser Mic is incredibly versatile. Gold-coated capsule combines the best of large diaphragm and micro transducer technologies for performance quality worthy of the most demanding studio applications, yet it's rugged enough to take touring. 20Hz-20kHz frequency range, -10dB switchable preattenuation, 6dB low-frequency cut, and integrated windscreen. Includes shockmount and hard case.

AKG C 4000 B Stage & Studio Condenser Microphone

The AKG C 4000 B Stage & Studio Condenser Microphone is the only electret dual large-diaphragm transducer mic in the world, and a versatile, cost- efficient tool for high-quality recording. Based on the famous Solid Tube with a similar sound, the AKG C4000 B Mic uses a transistorized impedance converter/pre-amp instead of a tube circuit. Its transformerless output stage ensures exceptionally accurate low-frequency response. The AKG C 4000 B is affordably priced to make it attractive mainly for small home and project studios. Its design provides 3 different polar patterns (omni, cardioid, and hypercardioid) selectable on the mic, making it suitable for many applications, even live sound. Features pre-attenuation pad switching and a bass-cut filter for suppressing low-frequency noise.

Electro-Harmonix EH-TM Vacuum Tube Studio Condenser Microphone

The EH-TM from Electro-Harmonix is a bottle-style tube microphone capable of multiple patterns: cardioid, omni-directional, and figure eight. It features dual large, 1.5 micron thick gold sputtered diaphragms and the Russian 6C15P tube in its discrete preamplifier circuitry. A Class A power supply, designed and constructed in the United Kingdom, powers the tube. An extremely high-quality shockmount comes standard, along with a sturdy case. Its sound is both vintage and state-of-the-art, with a touch of third harmonic distortion to add warmth while maintaining overall clarity. The XY and AB patterns are especially effective when the EHTM is used in stereo pairs. It is capable on vocals, grand pianos, guitars, percussion, and other sources requiring definition and fidelity. Its 20Hz tp 20kHz frequency response is smooth and uniform throughout its polar patterns, and it handles high SPL while maintaining a low noise floor. An excellent mic for recording digitally where source warmth is especially desirable.

CAD e300 Multi-Pattern Condenser Microphone