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 49.99 Learn More or Add to Cart with Low Price Guarantee
The SPC-10 is the first general-purpose hand-held vocal microphone of its kind to feature a studio-quality large diaphragm condenser element. Perfect for all live entertainment, recording, and broadcast applications requiring uncompromised studio quality sound. It features a large-diameter (1"), ultrathin membrane, gold evaporated pressure-gradient condenser capsule, and transformerless FET circuitry for superior audio with unsurpassed warmth and transparency. 30Hz-20kHz frequency response. Tight cardioid pattern. Low-cut switch for rolling off low frequencies: 80Hz, 12dB/octave.
Nady SCM 960 Studio Condenser Microphone
 69.99 Learn More or Add to Cart with Low Price Guarantee
The Nady SCM 960 Studio Condenser Microphone is a large, pressure-gradient condenser mic with a gold-sputtered diaphragm, FET preamplifier, and internal shock mount construction for structural integrity and reliability. It has selectable cardioid/omni polar patterns and selectable -10dB or -20dB attenuation. 48V phantom power required.
Nady RSM-3 Ribbon Studio Microphone
 269.99 Learn More or Add to Cart with Low Price Guarantee
Nady s RSM-3 Ribbon Studio Microphone brings the natural musicality of ribbon transducers to the project studio on a budget. The RSM-3 features a neo- classic design manufactured with the finest materials, incorporating a machined housing with advanced internal shock mount construction. Its versatile physical and acoustic design accommodates numerous recording applications. The RSM-3 has a figure-8 pickup pattern with extended sweet spots that allows both front and rear use. There are slightly different frequency responses from front and rear side. The RSM-3 s pickup characteristics also offers increased off-axis high frequency response on sides, with decreased high response above and below on-axis (though lower audio levels). Based on the physical placement of the mic (front or rear, on/off axis etc) you can dial in your desired sound.The third of NADY s RSM ribbon transducer series, this mic is designed for vocals, acoustic instruments, strings, orchestras, choral groups, and ambient recording.
Nady CM 90 Cardioid Condenser Mic
 49.99 Learn More or Add to Cart with Low Price Guarantee
The Nady CM 90 Cardioid Condenser Mic is great for recording or reinforcing acoustic guitars, hi-hats, snares, piano, and horns. Perfect as an overhead drum mic. Features high sensitivity, extended smooth response, and very high SPL capability. Transformerless design yields minimal self-noise. Rugged turned- brass microphone housing and internal sub-assembly shockmount. Engraved markings. Requires 48V phantom power.
Nady TCM1050 Tube Condenser Mic with Flight Case
 249.99 Learn More or Add to Cart with Low Price Guarantee
The Nady TCM1050 Tube Condenser Mic ideal for the most demanding applications, especially vocals. Gold-sputtered, ultra-thin Mylar dual diaphragm. Tube preamplifier circuitry with a specially selected 12AT7. Special output transformer designed for ultra-transparency. Almost all brass parts for studio workhorse reliability. 9 different polar patterns remotely selectable on power supply. The TCM1050 microphone comes complete with professional aluminum flight case, power supply pattern selector unit, XLR cable, elastic spider shockmount, and foam windscreen.
Nady RSM-1 Ribbon Studio Microphone
 149.99 Learn More or Add to Cart with Low Price Guarantee
The Nady RSM-1 is a versatile ribbon mic designed to record vocals and numerous instruments with stunning realism. A low-tension 2", 2-micron thick aluminum ribbon delivers smooth, uniform, natural reproduction; fast transient response; and ultrahigh 165dB SPL capability. Directional figure-8 pattern for both front and rear sides. Rugged machined housing and advanced internal shockmount design for the highest structural integrity and rugged reliability.
Sennheiser E614 Overhead Condenser Microphone
 199.99 Learn More or Add to Cart with Low Price Guarantee
A supercardioid back-electret condenser microphone designed for demanding instrument recordings that require extended frequency response, high SPL, fast transient response and compact mic size. While percussion pick-up was the first design priority, the E614 also works exceptionally well on woodwind and string instruments, and is a good choice for flute and sax where it captures the full body of the instrument. The E614 can handle high SPLs and features a medium sensitivity, which ensures reduced bleed from other instruments onstage. Because of its excellent acoustic properties this mic is also ideal for home recording.Designed for demanding applications where extended frequency range, high SPL, fast transient response and small size are required. Captures the "air" and the body of the instrument. Nearly flat response from 40Hz to 20kHz and a super cardioid pattern. Includes pouch and mic clip.
AKG C 430 Overhead Microphone
 199.99 Learn More or Add to Cart with Low Price Guarantee
Intended for overhead miking in pro environments, this extremely compact microphone allows for a low profile on the drum kit without compromising audio quality. 20Hz - 20kHz frequency range. Cardioid polar pattern.
Neumann Refurbished TLM-193 Cardioid Condenser Microphone
 1399.99 Learn More or Add to Cart with Low Price Guarantee
The TLM 193 is a front-addressed cardioid-pattern mic ideal for professional recording, live productions, and project studios.Acoustic features The large diaphragm capsule inside the head grille has a very smooth frequency response over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10kHz within a pickup angle of ±100°.The TLM 193 differs from omnidirectional pressure transducers where, due to physical reasons, the diffuse-field and free-field responses never agree. This microphone has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions.The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without coloration. Electrical featuresThe letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal. Compared to other microphones the self noise...
Sterling Audio STPF1 Professional Pop Filter
 49.99 Learn More or Add to Cart with Low Price Guarantee
Eliminates plosives and protects your mic from saliva. Compatible with most mic mounts.
Shure KSM9 Dual Diaphragm Performance Condenser Microphone Champaign
 699.99 Learn More or Add to Cart with Low Price Guarantee
Engineered to exacting standards, the KSM9 condenser microphone unites the best of studio and stage. With its dual-diaphragm design and switchable polar patterns, KSM9 offers nuance and subtlety in a microphone optimized for the most demanding live environments. It captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. The hand held KSM9 delivers exceptional consistency across all frequencies, provides more gain before feedback, and minimizes proximity effect.
CAD M177 Cardioid Condenser Microphone
 169.99 Learn More or Add to Cart with Low Price Guarantee
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