Behringer AUTOCOM PRO-XL MDX1600 Compressor

The Behringer MDX1600 Autocom Pro-XL Compressor is a dual-channel compressor/limiter/expander that will increase vocal presence and energy, compress mono or stereo signals without loss of high frequencies, and minimize dangerous signal peaks. Integrated dynamic enhancer, de-esser, and low- contour filter provide the utmost in signal enrichment. The MDX1600 features a stereo dynamic processor with couple function, auto and manual mode compression, and separate IRC expander/gate. Has accurate 12-point meters for in/out level and gain reduction, switchable +4dBu or -10dBV operating level, sidechain I/O, and servo-balanced XLR and 1/4" I/O. The Behringer MDX1600 Autocom Pro-XL Compressor takes up a single rackspace.

Focusrite Red 3 Dual Compressor/Limiter

It employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting. Proprietary Focusrite design is fully discrete and balanced, offering superb low noise and distortion, and excellent common-mode rejection. Sidechain electronics are Class A, ensuring superb transient response. Features include a stereo switch for true stereo operation from a single set of controls, key inputs with illuminated push-button selection, illuminated push-button switches for compressor/limiter in/out on each channel, and precision VU metering of signal level or gain change (switched). Can operate as a discrete channel unit.

ART TPS II 2-Channel Variable Impedance Tube Preamp

The ART TPS II 2-Channel Variable Impedance Tube Preamp is coupled with ART's proprietary V3 (Variable Valve Voicing) functionality to deliver tremendous versatility. It features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics. Like its predecessor, the DPS, the newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals, and more. Unique to its class, the TPS II provides level monitoring with 2 analog meters as well as 2 newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks. This newly enhanced TPS II can accept +20dB peaks while maintaining over 120dB dynamic range, quiet performance, and incredibly low distortion. ART's legendary tube stage delivers classic warm sound and adds additional tube voicing specifically tailored to vocal, guitar, bass, and acoustic instruments, making it an incredible DI box. OPL (Output Protection Limiting) controls overshoots and normalizes levels before clipping occurs. The TPS II was conceived, designed, and manufactured to the highest standards to provide years of quiet, reliable performance. Audition one and you too will know why the TPS II is among the most cost-effective professional mic preamp system you'll find on the market today.

Summit Audio TLA-50 Tube Leveling Amplifier

Add the warm sound of classic Summit Audio compression to your music with the TLA-50 Tube Leveling Amplifier. It will warm your signals like nothing else. With XLR -10dB and 1/4" +4dB inputs and outputs, the TLA-50 will interface into any studio with ease. Includes side chain access, stereo linking with another TLA-50, switchable attack and release times, fully adjustable gain and gain reduction control, and accurate VU metering with OL indication. All the warmth of that classic Summit Audio tube sound at a completely attainable price.

Drawmer TS2/DC1 Tube Processor

The Tube Station 2 (TS2) is a dual mono or stereo linkable soft-knee compressor. It encompasses all the features of the TS1 compressor section but with the added advantage of individual parameter controls for each channel. Each channel is equipped with a variable Tube Drive control which can be switched out of the signal path for instant A/B comparison.

Drawmer SP2120 Speaker Protector

Step 1: Insert key to 'unlock' front panel and adjust VU meter preset until the peaks of the incoming audio illuminate the red endstop 0dB LEDs.Step 2: Adjust max output level preset until sound system volume reaches the maximum permitted SPL as specified by the installer or client. Remove key . . . and sleep soundly.The Drawmer SP2120 Speaker Protector offers both strict level control and tremendous peace of mind to the contractor, installer and venue in the knowledge that only the maintenance engineer and the venue manager hold a key. As its name suggests the 1U, two channel processor eliminates the possibility of 'unauthorized' excessive sound pressure levels on speaker systems which could result in damage to both chassis drivers and amplifier electronics. The unit also gives a wide variety of venues, such as clubs, theaters, pubs, schools, universities etc. the opportunity to comply with the local legislation regarding noise levels.The SP2120 front panel features an integral security lock to ensure that adjustments to maximum volume levels are implemented by key holders only. In 'unlocked' mode two front panel presets are exposed and available for adjustment by the installer. The first calibrates the 16 segment Left/Right bargraphs to the incoming audio and dictates the point at which 'protection' processing commences. The second sets the absolute volume level to which the sound system is allowed to...

Drawmer TS2 Soft Knee Compressor

The Tube Station 2 (TS2) is a dual mono or stereo linkable soft-knee compressor. It encompasses all the features of the TS1 compressor section but with the added advantage of individual parameter controls for each channel. Each channel is equipped with a variable Tube Drive control which can be switched out of the signal path for instant A/B comparison.

Drawmer DSL424 TwoPlusTwo Dynamics

The DSL424 provides the engineer with a 1U four channel comprehensive toolbox capable of solving the most complex dynamic problems. Incorporated in the 1U package are two industry standard frequency conscious noise gates and two soft/hard knee compressors with variable threshold limiting.The channels may be front panel configured as four individual stand alone processors, a stereo linked pair of comp/limiters with a stereo linked pair of gates. Alternatively, any combination of processing can be achieved by rear panel patching. The DSL424 combines the gates of the DS404 with the comp/limiters of the DL441 to provide a versatile 1U problem solver invaluable in applications where rack space is limited.

Drawmer MX30 Gated/Compressor/Limiter

The MX30 Gated/Comp/Limiter is a low cost professional quality dynamics processor containing some of the proprietary design circuitry used in the more expensive models in the Drawmer range. The MX30 has many automated features enabling fast, effective dynamic control whilst retaining the instinctively laid out control parameters, sonic character and high technical specification which have made Drawmer the industry standard. The MX30's competitive price point brings Drawmer's professional processing into a much wider musician, project studio and live performance area.Operational control is split into three sections:- Gate, Compressor, Output: Program Adaptive' Gate Used to remove unwanted noise below a pre-set level, each channel consists of a variable Threshold Gate incorporating Drawmer's Programme Adaptive' circuitry. Although quick and simple to operate, the gate's auto-circuitry continually optimises such parameters as Attack, Hold, Ratio and Release, completely eliminating chatter' when the signal is fluctuating on or around Threshold. Two LED's show when the signal is above' or below' Threshold and a push button switch allows additional control of Release time. This design approach also retains all leading edge' information making the gate ideal for cleaning up' vocals or retaining the punch' on gated drums. Switching is provided for 'Fast' or 'Slow' release characteristics. The 'Fast' mode can be...

Drawmer Sixpack Multi-Channel Surround Dynamics

The Drawmer Six-Pack represents the industry's first dedicated multi-dynamics processor for surround mixing and continues Drawmer's tradition of audio workhorse' products which will continue to perform time and time again - even in a rapidly changing audio delivery environment.The Drawmer Six-Pack is a single 3U unit that will provide dynamics control in any format from mono to 5.1 surround. With six independent expander/gates, six independent auto or manual compressors, six zero overshoot' limiters and an LFE channel plus the ability to link channels individually, the Drawmer Six-Pack makes surround dynamics easy. In the studio, any analogue audio source from mono to stereo to full surround can be handled in one unit. In live sound, outboard applications such as drum processing or vocals can be dealt with in one easy to use unit, with both auto and manual operation. Alternatively the unit can be re-configured at the push of a button to provide dynamic control and speaker protection without image-shift for the fast developing surround sound speaker rigs employed in the club dance scene. The design of each processing module is derived from the industry standard Drawmer DL241 Compressor to deliver transparent and predictable dynamic control. The six channels of processing are arranged vertically to occupy the minimum rack space. On Channel six the user has the option to switch in a 120Hz filter to create an...

Drawmer DC2476 Digital Mastering Processor

The Drawmer DC2476 is an extremely sophisticated, all-digital stereo mastering processor designed for use in demanding recording and broadcast applications. Both analogue (balanced XLR) and digital (AES/EBU and S/PDIF) I/O are provided as standard. The audio converters are 24-bit and the digital output can be either 16, 18, 20 or 24-bit at sample rates of up to 96kHz. Noise shaped dithering is included and Word Clock input and output is available.Why 96kHz? Digital processing has until now been confined to 48kHz sampling frequency. In order to achieve the required bandwidth for professional audio, a very severe low pass filter at 23kHz is required to separate analogue signal frequencies from the clock frequency otherwise unpleasant aliasing will occur. This requires the use of a FIR digital filter which is part of the A/D and D/A converters. Unfortunately these filters cause what is known as time smear', where short transients are smeared over a longer time period giving loss of HF detail. At 96kHz sample frequency, the low pass filter is less severe and at twice the frequency, so time smear is considerably reduced. A second important consideration is the increased audio bandwidth up to 40kHz. This allows harmonics which extend above human hearing to be generated and preserved. These harmonics, although not audible themselves, make a contribution to the sound quality. Finally, the user interface has been...

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