Casio CW-100 CD Label Printer

Using direct thermal printing technology, the CW-100 can print titles in one of 5 different colors (red, blue, green, silver, or black) without damaging your data. Unlike other ink systems, thermal prints dry instantly, and the final print will not peel off. Use any font on your system to create custom disc titles. 300dpi printing provides sharp, professional results. The CW-100 also provides a unique auto-turn function to print on upper and lower areas of your discs in one simple operation. Design a label simply by selecting options that suit the CD type and your needs. Import your own graphics (BMP or JPEG) onto the CDs and use your own fonts that are installed on your computer. An on-screen preview image shows exactly what the label will look like. An assistant feature provides help when you need it. Add up to 6 lines per input field.

PreSonus Monitor Station Remote for FireStudio

The PreSonus MSR Monitor Station Remote is a complete surround-capable desktop remote control that gives you the ability to switch between Track, Mix, and Surround modes, as well as a talkback, dim, mute, mono, and dual headphone amplifiers. Track Mode delivers nine stereo mixes for monitoring in headphones during tracking, Mix Mode allows the user to switch between three sets of stereo monitors, and Surround Mode enables 5.1 surround control for mixing in surround sound.

Casio CW-75 USB CD Label Printer with Qwerty Keypad

Produce crisp, clean printing on CD-Rs and DVDs without the hassle of unprofessional-looking sticky labels that could damage your CD drive. Print output consists of 18 alpha-numeric formats and 4 graphic formats. The CW-75 is a thermal printer with a print area measuring 5/8" x 2-5/16". Typical CD-Rs allow up to 16 lines in 2 print areas above and below the hole. The thermal transfer ribbon will print about 50 CDs using one print area. Blue, red, and silver print ribbons are also available. The CW-75 is powered by 8 AA batteries or an optional AC adapter.

Fantom Drives Titanium USB 2.0 Hard Drive 60GB 7200rpm

Fantom Drives Titanium USB 2.0 Hard Drives offer the most affordable storage solutions for USB enabled computers. The slick, durable, and compact design provides safety and security for your data even on the go. From increasing storage space to providing a safe and flexible data backup solution, Fantom Drives Titanium USB 2.0 Hard Drives are ideal for home and business users alike.

Apogee Trak2 Mic Preamp and 24/96 Conversion System

Reference-standard mic preamp/conversion system incorporating balanced sends, balanced returns, auxiliary universal 1/4"/XLR front-panel inputs. 24- bit/96kHz analog-to-digital conversion, eight-channel architecture, 2 AMBus digital I/O slots, AES-S/PDIF digital output, word clock I/O, comprehensive peak/average/phase metering, graphics/text LCD display, easily navigated front-panel controls, and a communications port enabling remote operation via MIDI and/or RS-232.

Behringer TDF1616 16-Channel TDIF Interface for DDX3216

The TDF1616 allows you to digitally transfer audio data to and from a TASCAM digital recorder. 2 x 8 inputs and outputs for 16-channel transmission with a single connection. Although TASCAM recommends using a separate wordclock connection, later models of their digital recorders allow synchronization via the TDIF interface.

Lucid AD 9624 A/D Converter

Packed with features: stereo 24-bit, precision A/D conversion. Internally generated sample rates of 96kHz, 88.2kHz, 48kHz, 44.1kHz, and 32kHz. External sync via cord clock. User-selectable, 16-bit noise shaping. Simultaneous AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK) digital outputs. 20 segment input level LED ladders with peak hold and clip indicator.

ART Digital MPA Tube Microphone Preamplifier

The 2-channel ART DMPA Pro Mic Pre with Digital Outs is one of the finest microphone preamps with digital capability available. The enhanced discrete front end maintains every nuance, revealing incredible dynamic range.Variable Input Impedance optimizes the ART DMPA for performance with a wide range of microphones. This infinitely adjustable variation dramatically alters the performance of the microphone and creates more sonic possibilities.The selectable Tube Plate Voltage function delivers a wide variety of tones. The tube circuit is differential and provides the equivalent of a 300V power supply on the high voltage setting. With very low self-noise, the normal setting maintains classic tube preamp sounds.The MPA Gold's unique tube circuitry utilizes 2 - 12AX7A vacuum tubes and renders unsurpassed detail and clarity with a broad range of mics. The ART DMPA Pro provides gain with controlled overload while maintaining the dynamic range of the previous stage.In addition to the large VU meters, the MPA Gold has Tube Warmth LED metering which measures the left and right audio channel levels. Average level attack and release are measured in milliseconds and the peak function has a 20 microsecond attack time. The analog meter range is switchable between -10dB and +4dBU. The high pass filter is continuously variable from 15Hz-150Hz.Both analog and digital outputs allow you to take advantage of the DMPA's preamp...

ART DPS II Stereo Tube Preamp with Digital Out

The ART DPS II Stereo Tube Preamp with Digital Out is a high-quality performer. It has continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility, and more tube warmth. Designed with twin discrete preamplifiers and a flexible V3 (Variable Valve Voicing) 12AX7A gain stage plus analog and digital outputs.Preamp accepts +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. The LED input meter monitors the signal level of the input amplifier.The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. It also adds additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments, making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs.A versatile insert loop on each channel provides access for additional signal processing or direct access to a high-quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK, and ADAT (front panel selectable). The A/D converter is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32kHz to 100kHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits.

TASCAM IF-AE8HR TDIF to AES/EBU Format Converter

The Tascam IF-AE8HR provides 8 channel digital format conversion between TDIF and AES/EBU signals. This is the perfect digital bridge in studios needing to interface TDIF and AES/EBU devices, maintaining the 24-bit signal path through the chain.The word clock can be synchronized to a number of sources, including any AES/EBU signal, the TDIF port, or the dedicated Word Clock In.

Lucid GENx192 Ultra-Low Jitter Studio Master Clock

You can hear the difference with the GENx192 Ultra Low Jitter Studio Master Clock. Let's face it, all jitter is measurable - and Lucid Audio has taken the measurements. The GENx192 is quite simply the most advanced affordable Master Clock ever made. Lucid uses extremely low jitter crystal oscillators internally, and a pair of VCOs (voltage controlled oscillators) to convert any input frequency to a rock-solid output. Any frequency input, that is, between 28kHz and 216kHz.A synthesized clock is not better-Lucid relies on JIF (Jitter Input Filtering) on the input signal to remove jitter before sending it to the outputs. This is state-of-the art technology that works. The signal comes in as a jittery clock and is converted to a DC control voltage that drives the oscillators. The GENx192 simply outputs a clean, jitter-free signal.Flexible format conversion-External AES and Word clock inputs are simultaneously converted to AES, Word clock and S/PDIF outputs. It's that simple. Plus, the GENx192 can is capable of generating two independent multiples of the base frequency. For example, if you input 96kHz the GENx192 Master Clock can simultaneously output 48kHz and 192kHz.Room to grow-The GENx192 Master Clock can synchronize up to 14 external devices at one time.Dropouts, not a problem-If the input signal goes away, the GENx192 will simply switch to its internal oscillator and generate a rock solid clock. Dropouts...

Lucid 88192 A/D D/A Converter

The Lucid 88192 A/D D/A Converter is designed for today's hi-definition digital recording systems, and guarantees excellence in audio conversion and management for recording, post-production, and broadcast environments. It is multi-format, providing 8 channels of AES/EBU and 8 channels of SMUX2 ADAT digital audio to and from the host at sample rates up to 192kHz.Extremely low distortion and jitter, coupled with wide frequency response translates into clean, quiet, accurate, and stunning recordings. Adjustable gain and clip limiting on the analog input stage allows you to optimize levels in just about all applications. The simple user interface is designed for quick, efficient operation.

Lucid DA9624 D/A Converter

The Lucid DA9624 D/A Converter bridges the gap between analog and digital with true 24-bit resolution. It supports sample rates of 96kHz, 88.2kHz, 48kHz, 44.1kHz, and 32kHz. The DA9624 Converter's noise shaping function enhances clarity of low-level material for superior imaging and realism when creating 16- bit masters. Inputs and outputs include AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK). Features a 20-segment output level display and separate headphone front panel output.

Lucid SSG192 High-Definition Studio Sync Generator

The SSG192 Studio Sync Generator simultaneously outputs Word Clock, 256x Superclock, 1024x Lucid Ultraclock, and AES-11 sync formats at frequencies up to 192kHz. Generates or syncs to house video blackburst.Why does a studio need a master sync generator? Each device's internal clock operates at a sample frequency slightly different from its neighbor, even if all devices are set to the same nominal rate. As a result, audible pops and clicks may result when un- synchronized digital sources are mixed. 'Daisy chaining' Word Clock from one device to the next is one way to approach the problem but often creates new problems in the process. Each device in the chain introduces cumulative delay and long Word Clock cables (particularly at the end of the chain) increase clock jitter. Both delay and jitter contribute to significant increase of high-frequency distortion artifacts throughout the system. The Lucid SSG192 High Definition Studio Sync Generator prevents the above mentioned nasties from attacking your audio.A one stop solution. With the SSG192 as the master clock for all audio and video in your studio, you reference multiple digital components to one highly accurate, stable clock. The SSG192 internally generates 15 audio clock rates (including 96 and 192kHz) or can sync to one of four external clocks (Word Clock, AES-3, AES-11, or video blackburst). With four discrete Word Clock outputs, plus additional...

Behringer SRC2496 ULTRAMATCH PRO Converter

The ULTRAMATCH PRO SRC2496 is the successor to the renowned SRC2000, and enables you to transfer digital audio signals between devices with different sample rates, formats, or interfaces; disable SCMS for 1:1 digital copies; and remove dropouts or jitter from digital media. Simultaneously operable outputs offer splitter functionality. The 24-bit/96kHz-compatible SRC2496 now offers high-quality 24-bit/96kHz A/D/A conversion. It's perfectly suitable for studio work with format conversion between AES/EBU and S/PDIF (coaxial or optical). High-quality signal output with 16-, 20- or 24-bit resolution. Universal sample rate synchronization is done via word clock or digital input. XLR, RCA, and optical outputs are simultaneously operational with separately selectable inputs, turning this unit into a digital patchbay.

PreSonus V-FIRE 24-bit/96kHz R-BUS to FireWire Interface

The PreSonus V-FIRE is a Roland R-BUS to FireWire converter for Windows XP and Macintosh computers. This unique adapter allows you to convert Roland's R-BUS digital audio output to FireWire (IEEE 1394) format, providing a multichannel computer interface for Roland products equipped with an R-BUS output. The V-FIRE features two R-BUS ports and two FireWire ports, allowing 16 channels of digital audio to stream at up to 24-bit/96kHz sample rate. It is also equipped with R-BUS 1, R-BUS 2, and master sync LED indicators. The V-FIRE also comes with a software control panel enabling the user to select the sample rate (44.1kHz, 48kHz, 88.2kHz, and 96kHz), latency, buffer size, and clock source.

MOTU 24 I/O Expander Interface

The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources.The 24I/O can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.The front panel of the 24 I/O is a dedicated meter bridge for your hard drive recording system. Levels are represented in a 5 segment LED bar graph for accurate and precise recordings. The rear panel of the 24 I/O has 24 analog inputs and outputs which are professional grade TRS(balanced and unbalanced) connectors. The input level can be switched via software in banks of eight to either 10dB or +4 dB, while the outputs operate at +4dB. In addition, CumixDSP provides continuously variable input trim with up to 12 dB boost per channel. The PCI-424 card features a powerful DSP chip dedicated to creating a custom tailored monitor mix of up to 96 channels of 96kHz audio. Because the mixing takes place on the card itself, instead of making the round trip from the PCI bus to the host processor, the system provides the same near-zero latency performance as today's latest...

MOTU HD192 I/O Expander Interface

Featuring the latest generation 24-bit enhanced multi-bit 128X oversampling 192kHz converters, the MOTU HD192 I/O Expander Interface achieves a remarkable A-weighted dynamic range of 120dB with balanced XLR connectors. The Expander adds 12 ins and 12 outs to your Core HD192 system.

Drawmer D Clock Word Clock Measurement and Distribution Amp

The D-Clock is a dual input/twenty output word clock distributor with a 16 character blue LCD display providing a reference measurement of the incoming sample rate. Both AES/EBU and BNC word clock inputs feature a zero latency loopthrough output with switchable high impedance to maintain the correct level of the digital signal for onward distribution. The D-Clock displays incoming sample frequencies up to 768 kHz to an accuracy of 2ppm (parts per million) with two further modes - sample frequency with ppm error and sample frequency with % pull up/down for video users. Sixteen BNC clock outputs are situated on the rear panel with a further four BNC clock outputs on the front panel for quick patching to other digital devices. The word clock outputs can be derived from either a word clock input or alternatively an AES/EBU audio signal from which clock information can be stripped. In the latter case, one of the many mic pre s with internal A/D conversion but no word clock output can be utilised as the master clock source for the whole digital studio.

Drawmer M Clock Master Clock Generator

In today's studio where increasing numbers of digital devices need to be interconnected, maintaining digital signal integrity can be a serious problem. The traditional professional solution has been to use an expensive master clock that drives all the digital equipment in the studio, but in many different types of studios there are often pieces of equipment that don't have wordclock inputs such as consumer CD players, MD recorders, DAT machines and budget computer soundcards. The advantages of combining wordclock with multiple channels of 'clock-locked' sample rate conversion are significant and often under- appreciated. With M-Clock, all your 'pro' and consumer digital equipment can run in the same system, locked to the same clock, with no worries about finding a suitable sync source. You'll find you're no longer having to switch equipment between internal and external sync as you repatch - and the M-Clock's ultra- precision, low-jitter clock helps maintain optimum stereo imaging, lower noise and lower distortion. If you have multiple pieces of digital equipment in your studio, whether professional or a mixture of professional and consumer, M-Clock is probably the most effective upgrade you can make for anything like the price

CreamWare Sync Plate for Pulsar/SCOPE Hybrid CD Win/Mac

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JL Cooper dataSYNC2 ADAT/MIDI Synchronizer

Send MIDI clock with song position pointer for hardware sequencers, workstation keyboards, and drum machines. dataSYNC2 features automatic sample rate detection and supports 44.1 and 48k. Now with bi-directional MIDI communication to the ADAT, you can use MMC to control ADAT's transport, track enable and locate functions from your computer. A merging MIDI input lets you record new MIDI tracks while sync'ed to ADAT sample clock.